Barbara Napangarti Reid
Barbara Napangarti Reid, born around 1964 at Mungurry near Tjukurla, north-west of Docker River in Western Australia, is an acclaimed artist from the Ngaanyatjarra language group. This group is one of eight that act as custodians for the vast Western Desert area. Barbara also has a strong Pintupi connection through her father's mother, who was the younger sister of noted artist Kai Kai Nampintjinpa.
Early Life and Journey As a small child, Barbara embarked on a significant journey with her family, traveling on foot from Mungurry through Tjukurla to Lupul and eventually to Uluru. During this long journey, Barbara, still an infant, was carried by her parents. Somewhere southeast of Docker River, her father flagged down a passing army truck, which, under the Federal Government's "round-up" policies, transported the family to the settlement at Papunya. Barbara lived in Papunya until she was about sixteen, at which point she moved to Alice Springs.
Artistic Career In 1987, Barbara began her painting career with the Centre for Aboriginal Artists. She later moved to Adelaide, where she met her partner Robert and had her first child, Suzie. Eventually, Barbara and her family returned to Alice Springs, where she continued to paint in the studio of Gallery Gondwana.
Artistic Style and Themes Barbara Napangarti Reid’s paintings are known for their beautiful depictions of the lands she is custodian of and the songs that narrate them. Her work often features puli (rock formations) and tuli (sand hills), key elements of her native landscape. Central to her art are the women's sacred stories (minyma), which highlight the role of women as healers and providers within Ngaanyatjarra society. Her paintings are celebrated for their lyrical beauty, exquisite tonal palette, and ability to captivate viewers with their quiet intensity and irrepressible joy.
Exhibitions and Recognition Barbara Reid's work has been showcased in exhibitions and collections across Australia and internationally, earning her widespread acclaim and recognition as a significant figure in contemporary Aboriginal art.
