Colleen Wallace Nungarrayi
Colleen Wallace Nungarrayi
is a renowned artist known for her series of Dreamtime Sisters works. Born in Santa Teresa in 1973, Colleen has a rich cultural heritage and deep connections to her ancestral lands.
Early Life and Heritage
- Born: 1973 in Santa Teresa, Northern Territory
- Country: Arnumarra, her grandfather Kenny Tilmouth Panangka’s country
- Husband: Colin Bird, son of renowned artist Ada Petyarre
- Family: Lives in Utopia with her husband and children
Cultural Connections Colleen’s grandfather, Kenny Tilmouth Panangka, granted her the rights to paint the Yam Dreaming, a significant story that connects to the country of Ada Bird Petyarre from Mulga Bore, Utopia. Additionally, she paints stories belonging to her father’s country near Gem Tree, northeast of Alice Springs.
Artistic Influence and Style Colleen is well known for her Dreamtime Sisters series, which depict good spirits called 'Irrernte-arenye' by the Eastern Arrernte. These spirits, believed to be the first people on earth during the creation time, are shown dancing the Awelye (women’s ceremony) as they protect Arnumarra (country) and guard sacred sites.
Her style, associated with the Keringke artists of Santa Teresa, was passed down to her by her aunt, Kathleen Wallace, who gave Colleen permission to paint in this unique style.
Signature Themes and Subjects
- Dreamtime Sisters: Good spirits that protect and look after the country, dance the Awelye, and guard sacred sites.
- Yam Dreaming: A story linking to her grandfather’s country and Ada Bird Petyarre’s country.
- Arnumarra Country: Her ancestral land and a central theme in her works.
Living and Working in Utopia Colleen currently resides in Utopia with her family, continuing her artistic journey and contributing to the rich tapestry of Aboriginal art. Her works are celebrated for their intricate designs and deep cultural significance, capturing the essence of her heritage and the stories of her land.
Artistic Legacy Colleen Wallace Nungarrayi’s paintings are not only visually stunning but also serve as a vital link to her cultural heritage, preserving and sharing the stories and traditions of her people. Her Dreamtime Sisters series, in particular, is a testament to her skill and dedication as an artist, making her a prominent figure in the contemporary Aboriginal art scene
