Janangoo Butcher Cherel

Butcher Cherel Janangoo(1920–2009) was a prominent elder of the Gooniyandi language group in the Kimberley region of Western Australia. He played a crucial role in the preservation of men’s law ceremonies at the Muludja Community and was instrumental in maintaining Indigenous cultural practices.

Early Life and Cultural Heritage

• Born: c. 1920 at Jalnganjoowa, near Fossil Downs Station, Kimberley, Western Australia
• Language Proficiency: Fluent in Kija, Gooniyandi, Walmajarri, and Bunuba
• Parents: His mother was Kija and his father Gooniyandi. Both worked on Fossil Downs Station.
• Early Work: Worked as a stockman on Fossil Downs Station and as a police tracker.

Artistic Journey Cherel began painting relatively late in life, around the 1990s, through the local Aboriginal art cooperative, Mangkaja Arts, in Fitzroy Crossing. His paintings often document natural phenomena and serve as a metaphorical reference to his country, Imanara, and his life experiences. He preferred using natural pigments on paper and canvas, producing fine narrative abstractions that combined traditional stories with contemporary artistic expressions.

Artistic Recognition

• State Living Treasure: Recognized by the Government of Western Australia in 1994 and 2005.
• National and International Collections: His works are represented in numerous national collections and private collections around the world, including the British Museum.
• Exhibitions: Participated in prestigious exhibitions, including the Clemenger Contemporary Art Award at the National Gallery of Victoria in 2006.

Notable Themes in His Work

• Ngalyod (Rainbow Serpent): A recurring theme in his art, associated with fertility and seasonal changes.
• Modern Abstracts: His style, while contemporary, is deeply rooted in traditional Indigenous art forms, focusing on natural phenomena and cultural narratives.
• Common Themes: Afternoon rain, coolamon, warda, boab nuts, paddock pocket, dilly bag, bush plums, waterlilies.

Legacy and Contributions Janangoo’s contributions extend beyond his art. He was a key figure in the Gooniyandi community, advocating for Indigenous land rights and cultural preservation. His work in law enforcement and as a stockman reflects his deep connection to his land and people. His role as a senior manager of the Kunabibi ceremony, alongside Bardayal Nadjamerrek, had a significant impact on the imagery produced in western Arnhem Land.

Cultural Significance Cherel’s art is celebrated for its ability to capture the essence of the Kimberley region, blending traditional knowledge with contemporary techniques. His pieces often incorporate elements of the land, seasons, and traditional stories passed down through generations. His ability to adapt and innovate while maintaining a strong connection to his cultural roots has cemented his place as one of Australia’s leading contemporary artists.

Final Reflections Before his passing in 2009, Cherel reflected on his experiences, emphasizing the importance of Aboriginal law and language. He maintained his understanding of traditional knowledge throughout his life, ensuring its preservation and transmission to future generations.

Represented by Mangkaja Arts Butcher Cherel Janangoo’s work continues to be celebrated and preserved through Mangkaja Arts in Fitzroy Crossing, where his legacy as a pivotal figure in both the art world and his community endures.